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量子云索尼云快看资源O somma luce剧情简介电影O somma luce由Giorgio,Passerone主演，于2010年在法国上映，由让-马里·斯特劳布 执导，Dante Alighieri编剧，英文名：Osommaluce ， 转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
米悦剧集网视提供电影O somma luce 高清完整未删减版，电影O somma luce 蓝光HD1280/HD1080p/BD720P/BD1080P/MP4百度云高清版/在线观看。本文地址：http://www.hnxtx.com/post/91333.htmlO somma luce影评米栎影视网友：让-马里·斯特劳布导演在《O somma luce》这部影片中的运镜、剪辑、还有演员Giorgio,Passerone 的演技、影片的配乐都是满分的存在，非常喜欢《O somma luce》这部片子，开头拍摄珍的画面充满了爱意，果然是爱人所拍。有些人很幸运，因为他们很早就发现了自己想做的事、并用尽一切办法和力量去追寻。
百度云网友:《O somma luce》真是一播出就注定是经典，我一直觉得影片就应该要表达出一些超越记录对象本身的东西。《O somma luce》这部片子做到了。在我心里它就是年度最美最治愈影片。
樱花动漫网友: 感慨于导演让-马里·斯特劳布的才华，直到看完《O somma luce》全片，才知道海报为何这样设计，横向纵向对比的确都是近年来的佳作，真正的电影，质感很好，这是那种挑不出太大毛病的让-马里·斯特劳布式电影，很完满，很规整。
豆瓣电影场网友: 看完影片《O somma luce》有感，在这个强调解构、偏好轻盈的年代，让-马里·斯特劳布导演一以贯之自己的史诗叙事，保持庞大命题，追求日常之上呈现，塑造人物写实般的角色，给予本来理性、冷静、严肃的物理一种激情和诗意，调动所有观众一同沉浸在《O somma luce》的情绪之中。
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